Thursday, February 09, 2012
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Posts Tagged ‘new releases’

David Breithaupt

Klosterman Sound Bite

October 14th, 2008
by David Breithaupt

COLUMBUS, OH-

In his last novel, An Unfortunate Woman, Richard Brautigan wrote that no place is more surreal than the Midwest. He was right. To explore this issue further you should read Chuck Klosterman’s new book (and his first novel), Downtown Owl. In his amazing story you will meet a small band of inhabitants from a fictional North Dakota town called Owl, circa 1983. This crowd includes a transplanted teacher, a high school coach who impregnates students, students who make and don’t make the football team, alcoholic farmers, retired geezers, barflys and other sundry characters who not only make up the nuclei of our small towns but our larger metropoli.

If you grew up in a small town you have met these people, if you grew up in a large city you have probably still met them. Maybe one married your cousin or coached your nephews or nieces. Perhaps they drove into your brother’s car on a drunken Saturday night or gave you grandchildren. The characters in this town are Everymen and Klosterman paints them in their glaring humanity and vulnerability - he does not look down upon them at all. Klosterman is one of them. He grew up in North Dakota.

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Brad Listi

Politics as Bloodsport: A Conversation with Stefan Forbes, Director of Boogie Man: The Lee Atwater Story

October 3rd, 2008
by Brad Listi

Stefan Forbes is the director of a new documentary called Boogie Man: The Lee Atwater Story, a fascinating, funny, and deeply disturbing portrait of the controversial Republican operative who perfected the art of politics as blood sport. The film arrives in theaters this weekend riding a wave of critical praise.

Owen Glieberman of Entertainment Weekly: “Stefan Forbes’ incisive portrait of the late, infamous Republican consultant is a chronicle of how the culture 
war took over American politics. 
 As such, it could scarcely be more timely. (Karl Rove was Atwater’s protégé.)…In terrific clips, we see the scampish gleam of mischief that shot out of Atwater’s steely eyes, giving him the look of a honky-tonk Daniel Craig. His great strategy, and legacy, was the art of lying out in the open. He saw that character assassination invades media like an airborne virus—that even a lie can become its own ‘truth.’”

And from the Washington Post: “The career of the wildly successful, and wildly controversial, late Republican political operative comes back to us in ways that are funny, sad and mean. There is more than one moment in this film that will likely pop your jaw open.”

And finally from the Los Angeles Times: “The movie isn’t a knee-jerk lefty hit job. In fact, it shows that Atwater was a runaway success not just because he was a devious political operator, but because, in the words of one liberal reporter Forbes interviewed, the sass-talking, guitar-playing Atwater ‘was the most fun man I ever met.’”

I recently had a chance to talk with Forbes about his film and the man who inspired it.

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