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David Breithaupt

A Thousand Words: Talking About My Beat Generation

July 17th, 2009
by David Breithaupt

COLUMBUS, OH-

It’s December, 1988, a few days before Christmas. The Lower East Side is undecided between becoming an ocean of slush or a frozen plain of icy glass. It settles on cold and damp and stays that way into the new year. The invention of Prozac is still years away but if we had any we would be tossing them back like M & Ms.

I’m en route from NYC to Ohio to visit my ailing father. My mother had died the year before, followed by a sixty day stint I did in rehab to mend a massive predilection for alcohol. I was back in NYC now, not drinking, healthy and properly feeling the delayed grief my boozing had bottled up.

Before I returned to Ohio, I stopped at Allen Ginsberg’s apartment on East 12th Street to do some last minute cataloging. During that time I worked as an archivist for Allen, cataloging the endless parade of cassette and video tapes of his readings, lectures and various antics. Once or twice a year his staff would take the latest load up to Columbia University who agreed to store the many miles of Ginsberg documents. I wondered if they would ever run out of space.

Allen was impressed with my recovery which included weight loss and a lowering of blood pressure. I was a bit more coherent needless to say. Even my thinning hair had started to return. It was as if someone had cleaned up a toxic chemical spill on a site that was slowly being reclaimed by nature. I was on the express train to health and immortality it seemed. My ascent seemed unstoppable.


 

This picture of Allen, snapped before I left his apartment that day, evokes that time for me, my cross roads between watching my mother die a slow, painful death from lymphoma and nearly killing myself in the process - to  a bridge of reconstruction. My sanity (such as it is) and health returned like a severed lizard’s tail while I tried to pull my father out of the black hole he had succumbed to. It was both an exhilarating and painful time as I wallowed in the amazement of my own survival in the face of such destruction. I was shocked and wobbly like a new born lamb.

I worked at Allen’s kitchen table that day, sorting through a box of his latest accumulated tapes, assigning them coded numbers and recording them in a master index. I imagined generations of future scholars, listening with cocked heads, trying to make sense of a time they never lived in.

Allen joined me at the table to drink some green tea. We compared our latest blood pressure readings and weights. We talked of my mother and how to live with the hole death leaves in your life.

“I hope to see you read Kaddish someday,” I told him. I’d been reading that poem for comfort of late, Allen’s homage to his own deceased mother, Naomi, who died years earlier in  a mental institution.

“I know it’s a special occasion poem,” I rambled on. “It must take up most of the night.”

Allen nodded. He was eating some seaweed a friend in China had brought him. We both seemed lost in our own thoughts. Suddenly he rose as if he remembered something and left the table. I continued notating his tapes under the watchful eyes of Whitman and Rimbaud whose images hung in his kitchen. Allen promptly returned to the table with an old well-worn black and white City Lights paperback of his own poems—it was his own copy of Kaddish. Allen donned his reading glasses and opened the book. He began to read:

Strange now to think of you, gone without corsets and eyes…

I was floored. Allen was giving me my own private reading of Kaddish. I sat stunned and transfixed as he uttered the words of what I think is one of the greatest poems of the 20th century.

…I’ve been up all night talking, talking, listening to Ray Charles blues shout blind on the         phonograph…

Allen became lost in his own poem, reading it with his animated accents and exclamations. I was too moved to cry and could only sit and listen as the familiar words haunted my ears. Finally he stopped after reading the first section and looked up. “I’m too old to read the whole thing at once!”    

“Thanks Allen,” was all I could say. It sounded so inadequate because it was. I didn’t know what to do. I’m hoping he noticed how moved I was as all I could say again was…thanks.

Later that day, I flew back to Ohio, buoyed by Allen’s words gliding through my head. I felt like a ghost myself as I returned to the midwest. I don’t think I was ever the same. 

…the final moment-the flower burning in the day-and what comes after…

The picture brings it all back, every damn time I look at it, all in one blurry snapshot. A thousand words plus.

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18 Comments »

Comment by David S Wills
2009-07-17 18:14:40

That’s the best thing I’ve read on TNB. Seriously. Fantastic.

 
Comment by Colleen McGrath
2009-07-17 22:39:07

What a wonderful gift he gave you. No wonder it impacted you enough to share this way.

 
Comment by D.R. Haney
2009-07-17 23:06:08

As you might have guessed, David, I read this with great interest.

I do indeed spot Rimbaud and Whitman on either side of the door. I look at the broom and wonder if it’s still in use or if it was simply thrown away after Allen died. To think that broom was routinely handled by the hands that wrote How or, for that matter, Kaddish–it amazes me, though I don’t know why it should.

Thank you so much for your thousand words plus.

Comment by David Breithaupt
2009-07-18 03:20:10

Thanks Duke. I’m not sure what happened to Allen’s old apartment (including the broom), I suspect it is still maintained by the Ginsberg trust. As well as the apartment next door. Not long before he died, after he sold off his archives to Stanford, I think it was, he moved to a nicer place near 14th street that wasn’t a 4th floor walk up like his east 12th street place. That is where he eventually died, in his sleep, after his hepatitis went cancerous. By the way, a freind is making a dub of that Kerouac tape for me as my cassette equipment no longer functions, I’ll send it on when I get it back.. Thanks again.

Comment by D.R. Haney
2009-07-18 14:08:40

This comment is probably going to end up out of order, but thank you, David.

(Comments wont nest below this level)
 
 
 
Comment by D.R. Haney
2009-07-17 23:07:02

Um, that was meant to be Howl, obviously.

 
Comment by Marni Grossman
2009-07-18 09:06:34

What an amazing story. He obviously had great respect/affection for you. It was, I’m sure, a gift that keeps on giving.

Comment by David Breithaupt
2009-07-18 17:15:35

Allen would give you the shirt off his back, he was that kind of guy. He was always housing someone in his apartment who was down and out. During the time I knew him he was helping Julius Orlovsky and Harry Smith. One winter I told him I was going to go out and but a warm hat. Of course he plunged into his closet and pulled one out for me, it was a a black, warm winter hat he bought in Russia before they threw him out of the country. It was too big for him.
Of course I still have it. But he was generous in that way to many people. Tho I often fail, I often try to keep his generous spirit alive in my memory and actions.

 
 
Comment by Simon Smithson
2009-07-18 14:39:30

He looks so oddly professorial in this picture. I’m glad to hear that you were able to rebuild after the conflicts and crises you’d been through; rebuilding appears to be something of a theme around here at the moment. As themes go, it’s a good one. And as piece go, this is a good one too.

Comment by David Breithaupt
2009-07-18 17:10:39

Allen always posed for the camera, he was a professional ham I guess. I never saw him deny a photographer. I think he had a sense of being part of history and thus let it be recorded. I bet he was the most photographed writer in America.

 
 
2009-07-19 08:39:16

What I wouldn’t give to hear YOU read THIS live. I can hear your voice already, methinks, but still…

Comment by David Breithaupt
2009-07-19 11:20:45

Maybe in August, I van drag my ass back to NYC…

 
 
Comment by Irene Zion
2009-07-19 09:45:45

David,
Imagine.
Allen Ginsberg felt so close to you and so highly of you, that he would read “Kaddish” to you. A piece that meant so much to him.
Wow.

Comment by David Breithaupt
2009-07-19 11:22:09

I think he felt sorry for me, being a nouveau semi-orphan.

 
 
Comment by piet de best
2009-07-20 00:35:01

Hoi Dave,

Everybody else sees kindness and generosity in Allen’s actions.

I see the predatory sexual behaviour of an old homosexual trying to use poetry (and perhaps a metaphor or two) to get to the tender virgin ass of an emotionally damaged bumpkin from Ohio.

But, then again, when looking at Rorschach inkblots I always see two transvestite sailors beating a nun, so perhaps the problem lies in my own pretty head.

Is nothing sacred?

Piet de Best

Comment by David Breithaupt
2009-07-20 03:11:31

Yow! Harsh, yet perceptive amigo. But I’d already known Allen long enough at that point where he knew I wouldn’t be in that part of his posse. He was generous without having erotic agendas at times. He was no saint but neither am I or you, but like Super-Man, he fought for truth, justice and the Semi-American Way.

But emotionally damaged? Who isn’t?

 
 
Comment by piet de best
2009-07-22 01:23:20

Hi Dave,

I am glad that you responded appropriately (YOW) to my comment. It was a hopelessly cynical and impolite comment, but I figured that you could handle it.

Let me make two things clear:

I don’t think that it is BAD for Allen to want you in a sexual way, nor does it make him any less of a seeker of truth, justice and the almost-american way. He was a fearless speaker of truth to power and wrote some truly memorable stuff. I am glad that I have had the opportunity to see him perform live, and am horribly jealous that you got a one-one-one recitation.

Second, ‘emotionally-damaged’. That wasn’t MY evaluation. Your story talked about how you were recovering from alcohol recovery, experiencing delayed grief from your Mom’s death (never met her, but I have heard wonderful stories) and watching your Dad (who, by the way, I did know and found to be a great person as well as Father of Dave) die.

Please write something about Simon Vinkenoog, the Dutch Beat Poet. He is not known well enough outside of the Netherlands and it is up to you!
Groeten,

Piet

 
Comment by slim
2009-07-28 10:37:14

Dang, I never heard this story! You only tell me the sad ones, wanker.

 
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